Archive for February 2020
Stage 07 – Tidying Up
This is it – the final stage of the Masterpiece; the culmination of nearly a year’s worth of patience, dedication, and precision. Cardnell: As well as numerous small adjustments to the picture, four significant alterations were applied to enhance. These are listed below, in tandem with the annotated image: To scale correctly, the thin-water ‘lattice’…
Read MoreStage 06.1 – Finishing the Sky
Cardnell: Prior to the annotated image, I did considerable work on the sky and A LOT of work on seabed highlights from the horizon to the beginning of the ‘lattices’. This general area is the most time-consuming, requiring the most brushstrokes per unit area. That said, it’s all looking pretty authentic as well as clean…
Read MoreStage 05.2 – Corrections & Enhancements
To the viewer’s eye, Cardnell’s Masterpiece very well could have been complete in Stage 05.1, or even Stage 04.3. To the master himself, however, there are two more stages to come before completion. The following two stages of infinitesimal perfections and details further illustrate Cardnell’s uncompromising dedication to the art, and solidify him as the…
Read MoreStage 05.1 – A Cloud Is Not Just A Cloud
Cardnell: I have had another run into 3am and then again more work this morning. Five thousand more micro brushstrokes into sea last night and around the area of the horizon. The work I’ve done on the clouds has really started to make them look as if they’re passing over your head. To most people,…
Read MoreStages 04.2 – Bringing The Seabed to Life; and 04.3 – “Laying Out The Pin-Sharp Seabed Highlights”
Bringing The Seabed to Life Cardnell: I now have 10 roughed in Bonefish swimming out from the bottom left hand corner of the canvas stretching upwards in a teardrop pattern to a line horizontal to the far edge of the sand of the first mangrove cluster. Whilst I’ve rendered the furthest Bones indistinct I’ve not yet…
Read MoreStage 04.1 – Bringing the Composition to Life
Another unique aspect to Cardnell’s approach to Sporting Art is the size at which he is willing to work. He is not afraid to create an image on a grand scale and feels, in doing so, he can bring the viewer into the image and make the viewer feel as if he or she is…
Read MoreStages 03.2 Cont’d – Graphite Angler & Guide Composition; and 03.3 – Explaining Seabed Details
Graphite Angler & Guide Composition Cardnell: Head buzzing so got up and started painting at about 2:30 AM. Now 4:30 AM here but I’ve just finished some research. FINALLY! Got the perfect stance on each player! I had a doze after my research and have now roughed-out a pencil study based on what I found.…
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